Bob's Photography
Welcome to my compilations of Blues, R&B, Soul, Gospel, Jazz, Rockabilly, Rock & Roll, Hillbilly & Country music.
Thursday, October 29, 2026
Country, Pre-War & Acoustic Blues Vol 119
Train Songs Vol 05 - Freight Train Blues (1929-1989)
Blues, R&B, Soul & Gospel Records Vol 317 (1954-2023)
Sunday, October 25, 2026
Best Of Jazz Vol 131 - Jazz Blues Vol 01 - West End Blues (1956-2024)
Blues, R&B, Soul & Gospel Records Vol 316 (1937-2023)
Wednesday, October 21, 2026
Bob's Chat
ON THE ROAD AGAIN
This Friday my wife and I will be traveling to Bangkok, then catching a night flight to Perth, Australia, where we'll spend the next 5 weeks at my Perth apartment. We'll be back in Thailand early December. There shouldn't be any disruption to the posting schedule, the next post is due on Sunday and we should be settled back in by then.
I've noticed that French bluesman Nico Wayne Toussaint will be performing at a nearby pub in Perth on November 24th, so I'm looking forward to seeing/hearing some good live blues again as there's bugger all live blues where I live out among the rice fields of N.E. Thailand.
Here's another album by the renowned British acoustic guitar player, Bert Jansch, this one recorded live At The Palms Playhouse, Davis, California, April 19, 1996. I remember one night when I was living in London in 1966 and I had been out on the tiles around Soho with a couple of friends. We came across this folk club, entered the door and climbed stairs up to this large candle-lit room where many people were seated, drinking and listening to an acoustic guitarist/singer. We hung around and heard a couple of songs before moving on, and I never found out who that musician was. But he was very good and due to the thunderous applause he received at the end of his songs he was obviously a celebrity. So to this day I've often wondered if it was Bert Jansch or John Renbourn or Davy Graham that I had caught a glimpse of that evening.
Don't forget to check out Bob's Cellar. Our good friend cabledogg2 just posted another bunch of bluegrass/country/blues CDs, and over the past few days Spidey, Reb & Nance have all shared some interesting things from their personal collections. So dig in and help yourselves, and don't forget to take a few seconds to thank these generous people for sharing all this great music.
Anyway my friends next time you hear from me I'll be enjoying a vegemite sandwich and a cold Aussie lager.
Bert Jansch - Live At The Palms Playhouse, Davis, California (1996)
The widely circulated and iconic soundboard live recording of Scottish folk singer, songwriter and guitarist Bert Jansch, recorded on April 19, 1996, at The Palms Playhouse in Davis, California during his "When The Circus Comes To Town" tour.
Tracklist:
02. Open Road
03. Blues Run The Game
04. Untitled
05. Walk Quietly By
06. Come Back Baby
07. Black Waterside
08. Morning Brings Peace Of Mind
09. Let Me Sing
10. Instrumental
11. Living In The Shadows
12. No One Around
13. My Donald
14. Summer Heat
15. A Woman Like You
16. When The Circus Comes To Town
17. Lily Of The West
18. Instrumental
19. Just A Dream
20. Untitled
21. Running From Home
22. Anji
23. Candyman
24. Back Home
25. As She Moved Through The Fair
26. Let Your Hair Down Woman
27. Key To The Highway
28. Untitled
29. Strolling Down The Highway
30. Stealing The Night Away
Bert Jansch - Guitar & Vocals
Bert Jansch was born 1943 in Glasgow, Scotland and raised in Edinburgh. He started playing guitar at 15, immediately displaying outstanding ability, and became a songwriter at 16. The early 60s in the U.K. were a time of musical ferment. Black American blues artists like Big Bill Broonzy, Memphis Slim, Muddy Waters and Sonny Terry & Brownie McGhee had toured there and had records issued that that were purchased by a small, devoted audience. The U.K.'s own folk music was being rediscovered and a network of clubs and folk song societies had sprung up, presenting traditional performers and young innovators.
American jazz, all styles, Modern, Swing and New Orleans was widely available on records and had a substantial following. Jansch had the talent and the ears to learn from it all, especially Broonzy and McGhee, but his biggest influence was Davy Graham, composer of “Angie” aka “Anji” recorded by Paul Simon and many others.
Graham (1940-2008), son of a Scottish father and a Guyanese mother, developed a guitar style incorporating blues, jazz, U.K. folk, Indian and Middle Eastern music, playing with great facility, two and sometimes three lines simultaneously.
Jansch took the style further, playing with a looser, more bluesy feeling, using dissonance and unusual chords, adding or subtracting bars and beats and using counter rhythms to accompany his vocals which had a unique mournful quality and were devoid of flashy technique, histrionics or overt borrowings from black blues singers. In 1964, Jansch became a phenomenon on the U.K. folk scene and beyond, playing clubs all over the country, his songs and astonishing guitar playing amazing musicians.
Jimmy Page, in 1971 commented, “He was the innovator of that time. He tied up the acoustic guitar in the same way Hendrix did the electric. His first two LPs had some instrumental work that was totally unbelievable. I watched him play once at a folk club and it was like watching a classical guitarist playing. All the inversions he was playing were unrecognizable. His playing was amazing.” In 1968, Jimmy Page recorded for the Led Zeppelin album, Jansch's guitar arrangement of the traditional song “Black Waterside”, calling it “Black Mountain Side”.
When Pentangle broke up in 1973, Jansch retired from music to become a farmer. In the late 70s he resumed a solo career and then reformed Pentangle with various lineups during the 80's. In 1987, damage to his pancreas due to long term heavy drinking nearly caused his death and he remained sober for the rest of his life.
A creative and career resurgence began in the 1990s, culminating in the commercial success of his last studio CD, 2006's, The Black Swan, which paired Jansch with Beth Orton, Devendra Banhart and other later generation musicians. In June 2009, he was diagnosed with lung cancer and half of one of his lungs was removed. In May 2010, he resumed performing, opening shows for a Neil Young acoustic tour. A second operation for lung cancer caused Jansch to cancel his appearances on another Neil Young tour in the Fall of 2010. He was able to make a short headlining tour of the Northeast U.S. with Pegi Young as the opening act in November and December 2010 including Johnny D's in Somerville MA. Bert Jansch died ten months later. RIP Bert Jansch (1943-2011)
Soul Party Vol 123 - Love & Hate Vol 01 - Headache In My Heart (1958-2025)
Blues, R&B, Soul & Gospel Records Vol 315 (1951-2023)
Sunday, October 18, 2026
Rockabilly & Early Rock & Roll Vol 132
All About The Guys Vol 05 - Rockin' Daddy (1955-1966)
Blues, R&B, Soul & Gospel Records Vol 314 (1946-2023)
Wednesday, October 14, 2026
Bert Jansch - It Don't Bother Me (1965)
It Don't Bother Me is the second album by Scottish folk musician Bert Jansch, released in November 1965. The album features nine songs and two instrumentals composed by Jansch, as well as one by Alex Campbell "Been on the Road So Long" and the traditional "900 Miles". For this last track, Jansch accompanies himself on the banjo rather than the steel-string acoustic guitar which he uses elsewhere. "My Lover" has John Renbourn playing the lead acoustic guitar part. "Lucky Thirteen" is a guitar duet also with Renbourn, based on a song written by the latter and apparently recorded during the Bert and John session. "Tinkers Blues" and "The Wheel" are guitar instrumentals composed and performed by Jansch.
Track Listing:
02. Ring-A-Ding Bird
03. Tinker's Blues
04. Anti Apartheid
05. The Wheel
06. A Man I'd Rather Be
07. My Lover
08. It Don't Bother Me
09. Harvest Your Thought Of Love
10. Lucky Thirteen
11. As The Day Grows Longer Now
12. Been On The Road So Long
13. Want My Daddy Now
14. 900 Miles
Bert Jansch recorded his second album in 1965, just after his self-titled debut earlier that same year. The sessions were a step-up from the intimate, field-recording setting of his first album, although still not labored over too much in the studio.
"I figured that the faster I put down the tracks, the faster I could get out of the place," Jansch told NME, "so I just ordered about a dozen bottles of wine, put the microphone in front of me and off I went, for three hours."
The lyrics of It Don't Bother Me shift vividly between pure poetic imagery and the hollow resonance of pain. The LP's underrated title song stands as a manifesto for the way Jansch lived at the time. "My Lover," featuring guitarist John Renbourn, has almost sitar-like drones, while "Lucky Thirteen" is a captivating, melancholy instrumental that shimmers with brilliant fingerpicking.
Hillbilly & Country Vol 169 - Texas Special Vol 02
Started Out From Texas (1929-1993)
Blues, R&B, Soul & Gospel Records Vol 313 (1938-2023)
Sunday, October 11, 2026
Country, Pre-War & Acoustic Blues Vol 118
Guitar & Harmonica Duos Vol 01 - Good Morning Blues (1937-2025)
Blues, R&B, Soul & Gospel Records Vol 312 (1950-2023)
Wednesday, October 7, 2026
Jo Ann Kelly - Woman In (E)Motion (Live In Germany 1988)
Like Memphis Minnie before her, Jo Ann Kelly was the genuine article: a woman who could play the Blues as hard and deep as any man. Her rich, strong voice and authentic acoustic slide guitar work made her a big attraction on the British folk/blues circuit. Usually playing alone and sometimes singing 'a capella', she could convey her Blues like a Delta original.
Best Of Jazz Vol 130 - Strange Stuff Vol 01 - The Rubber Room (1967-2023)


















