Monday, November 4, 2024

 Albums That Deserve Another Listen

Country Joe & The Fish - Electric Music For The Mind And Body (Vanguard 1967)


Tracks: 

01. Flying High 
02. Not So Sweet Martha Lorraine 
03. Death Sound 
04. Porpoise Mouth 
05. Section 43 
06. Super Bird 
07. Sad and Lonely Times 
08. Love 
09. Bass Strings 
10. The Masked Marauder 
11. Grace

Personnel:

Country Joe McDonald - lead vocals (tracks 1-4, 6, 9-11), rhythm guitar (tracks 2, 4, 7-9), tambourine (track 3), lead guitar (track 5), harmonica (track 5), backing vocals (track 7)
Barry Melton - lead guitar (tracks 1-5, 8-11), rhythm guitar (track 6), lead vocals (tracks 7, 8), bass (track 7)
David Cohen - rhythm guitar (track 1), organ (tracks 2, 4, 5, 8-10), lead guitar (tracks 3, 6, 7, 11)
Bruce Barthol - bass (all tracks except track 7), harmonica (tracks 7, 10)
Gary "Chicken" Hirsh - drums

Electric Music for the Mind and Body is Country Joe and the Fish's debut album. Released in May 1967 on the Vanguard label, it was one of the first psychedelic albums to come out of the San Francisco Bay Area.

Country Joe and the Fish were originally formed in 1965 by Country Joe McDonald and Barry Melton as an acoustic folk/jugband duo. This embryonic version of the group, supplemented by Carl Shrager, Bill Steele and Mike Beardslee, recorded an initial EP in September of that year which was released as a "talking issue" of Rag Baby magazine a month later. The EP featured early versions of "I-Feel-Like-I'm-Fixin-to-Die Rag" and "Superbird", both of which would be re-recorded for the first two albums, along with two Peter King tracks. By January 1966 the group had expanded into a semi-electric six-piece, with the transition to a fully electric rock band happening after several members attended a Paul Butterfield Blues Band and Jefferson Airplane show at UC Berkeley on April 16. On June 6, this version of the group cut a self-titled second EP at Berkeley's Sierra Sound Laboratories released that July, featuring three songs ("Section 43", "Thing Called Love", and "Bass Strings") which would all be re-recorded for the debut album. The EP was pressed four times and proved very popular, which resulted in record company attention; in early November of '66 the group were set to record a third EP when they were discovered and signed to Vanguard records by producer Samuel Charters.

In late November 1966 the group began trial recordings for the album at Sierra Sound Laboratories, but clashes between Joe and drummer John Francis Gunning led to the latter's abrupt firing. His replacement, Gary "Chicken" Hirsh, joined the group in time for an extended period of rehearsals at The Barn in the Santa Cruz Mountains in the weeks before Christmas 1966, where the new lineup gelled.

Recording sessions for the album proper took place on four-track machines during the first week of February 1967 at Sierra Sound, produced by Charters. The instrumental backings to the songs were largely played live in the studio, with Joe's later vocal overdubs recorded with the lights out due to his self-consciousness at having the others look at him while singing.

The first songs recorded on February 1 were "Not So Sweet Martha Lorraine", chosen as the lead single that April, and "Bass Strings", which had originally appeared on the second EP. According to Joe, the subject of "Lorraine" was a compendium of several different women although he professed to not particularly like the song, and wondered how it became popular. The group were nervous to sing "Bass Strings" as the lyrics admitted they all smoked marijuana, which was a felony at the time; at the end of the track Joe can be heard whispering the letters "L-S-D". On February 2, "Porpoise Mouth" (known as "Happiness Is A Porpoise Mouth" on the stereo pressing) and "The Masked Marauder" were committed to tape; the former is about an erection and shifts time signatures from 3/4 to 6/8, while the latter is a multi-sectional instrumental which was the newest thing written for the album, developed during the December 1966 Barn rehearsals. The next day, "Death Sound" (known as "Death Sound Blues" on the stereo pressing), "Love" and "Grace" were tackled. "Death Sound" was one of the earliest songs penned, an acid-blues number with dark themes of death. "Love" had been another early song written by the whole band and recorded for the self-titled second EP as "Thing Called Love", although it appears here in a faster rearrangement with a soul backbeat and lead vocal by Melton. "Grace" was Joe's ode to Grace Slick, the lead singer of Jefferson Airplane. Joe had met her while she was in her earlier band, The Great Society, and wanted to give her better material to sing. The song was influenced by Japanese music and employed a number of sonic additions including bells, chimes, water sound effects, and increasing echo delay, getting slower as it progresses.

February 4 was given to re-takes and overdubs to "Lorraine", "Masked Marauder", "Bass Strings", and "Porpoise Mouth". On February 6 the group reconvened to cut the album opener "Flying High" and lengthy side one closer "Section 43". "Flying High" was based on a real-life incident where Joe was stuck hitchhiking in the rain in Los Angeles, ignored by all the "straight" cars until finally picked up by two fellow hippies. "Section 43" was another track that had appeared on the second EP, originally begun by Joe on an acoustic guitar and harmonica with more sections added in as it developed, with influences ranging from guitarist John Fahey to classical pieces like "In the Hall of the Mountain King". The final recording was edited together from three sections titled "A", "B", and "ragtime", with Charters fading each one out to complete silence. The last day of recording, on the 7th, saw "Superbird" and "Sad and Lonely Times" completed. "Superbird" was a protest number taking aim at President Johnson that had initially appeared on the first EP from October 1965, transformed from an acoustic jugband number to a soul-infused rocker with added lyrics that promised the commander-in-chief would be made to "eat flowers" and "drop acid". "Sad And Lonely Times" was an older song with Melton taking lead vocal, although members of the band have since identified it as their least favorite on the album due to its simple C&W arrangement.

Two other songs were considered for the album: "Thought Dream", recorded on February 2, was held over for the sophomore effort I-Feel-Like-I'm-Fixin'-to-Die, while the "I-Feel- Like-I'm-Fixin'-to-Die Rag" itself (another song that had appeared on the first Rag Baby EP) was considered too controversial to record by Charters and held over until after it was seen how the similar protest number "Superbird" fared with radio.

When the sessions were finished, Charters took the tapes to Vanguard Studios in New York to edit and mix the album. He tried several different running orders but eventually settled on having each side begin with the more "out" or commercial songs and then gradually going further "in" to the most spiritual, psychedelic material.

"Not So Sweet Martha Lorraine" previewed the album that April and was the band's only entry on the singles chart, peaking at #95 on Billboard that August. The album was released on May 11, 1967, on the Vanguard label, with a release party thrown at the Fillmore on the same night. Sales were slow at first but picked up after the group's appearance at the Monterey International Pop Festival that June (where versions of both "Martha Lorraine" and "Section 43" were filmed, the latter appearing in the movie), eventually peaking at #39 in September.

Due to deterioration of the original master tapes, the album was remixed in 1982 and this remix was used for the original CD release in 1990. In 2013 a new two-disc deluxe version appeared which included both the original mono and stereo mixes. It is the first time producer Sam Charters’ original stereo mixdown had been issued on compact disc. Both stereo and mono versions of the album, with the mono housed in the original rejected sleeve design, were released on the Wave of Electrical Sound box set in 2018.

The album was received warmly on release with the Berkeley Gazette in glowing praise, stating that songs like "Bass Strings" and "Section 43" "employ echo chambers, distortion, and other electronic embellishments to augment the unique versatility of sound mixing the Fish compulsively indulge in...the mood is essentially psychedelic, with the texture of smoky colored glass."

In a retrospective review for AllMusic, Bruce Eder felt that the album is "one of the most important and enduring documents of the psychedelic era". Country Joe later boasted "If you want to understand psychedelic music, and you haven't heard Electric Music for the Mind and Body, then you probably don't know what you're talking about."

The album was included in Robert Dimery's 1001 Albums You Must Hear Before You Die.


 Assorted Hillbilly & Country Recordings Vol 121

Bars, Bottles & Drunks Vol 03 - Hangover Boogie

01. Bob Newman - Hangover Boogie 
02. Oscar Chandler - Mama's Gone To Heaven Papa's Gone To Drink 
03. Helen Carter - Kneeling Drunkard's Plea 
04. Hank Williams, Jr. - There's A Devil In The Bottle 
05. Rod Morris - Drunkard's Blues 
06. Rod Morris - Three Empty Bottles 
07. The Hi-Flyers - Beer Parlour Jive 
08. Virgil Fleming - Bottom Of The Fifth 
09. Jerry Hegarty - Whiskey On Sunday 
10. Keith Compton - Smilin' Mel The Beer Man 
11. Willie Nelson - Bubbles In My Beer 
12. Bobby Barnett - The Finished Product Of The Brewers Art 
13. Hugh X Lewis - Talking To A Bottle 
14. Leon Payne - Brothers Of A Bottle 
15. Connie Hall - The Bottle Or Me 
16. Sonny Wright - Hungover 
17. Waylon Jennings - Time Between Bottles Of Wine 
18. Tracy Lawrence - It Only Takes One Bar To Make A Prison 
19. Steve Laneer - One More Drink With A Fool 
20. John Edward Hartley - The Bottle 

 Blues, R&B, Soul & Gospel Records Vol 72 (1940-1997)

01. Artie Christopher - Stoned Soul (1968) 
02. Artie Christopher - Hello L.A. Bye Bye Birmingham (1968) 
03. Lee Oskar - A Soulful Prayer (1997) 
04. Charles Earland - Honky Tonk (1997) 
05. Curtis Jones - Blues Memories (1940) 
06. Curtis Jones - Don't Leave Me Baby (1941) 
07. The Lloyd Singers - I Feel The Spirit Coming On (1965) 
08. TNT Tribble - Annie's Mambo (1953) 
09. TNT Tribble - The Man From Jamaica (1953) 
10. Camille Howard & Roy Milton's Solid Senders - Groovy Blues (1950) 
11. Daisy Mae & The Hepcats - Woman Trouble (1956) 
12. Johnny Copeland - Stealing (1964) 
13. Johnny Copeland - Dear Mother (1971) 
14. Johnny Copeland - Old Man Blues (1971) 
15. Tiny Grimes & His Rockin' Highlanders - St. Louis Blues (1952) 
16. Tiny Grimes & His Rockin' Highlanders - Why Did You Waste My Time (1953) 
17. Albert Macon & Robert Thomas - She Wanna Do The Boogie Woogie (1981) 
18. Albert Macon & Robert Thomas - Got To Move (1981) 
19. Frank Motley - Herbert's Jump (1951) 
20. Frank Motley - That's All Right (1951) 
21. Frank Motley - Dual Trumpet Blues (1951)

Saturday, November 2, 2024

 Assorted Best Of Jazz Vol 82 - A Handful Of Jazz Trombone Greats Vol 02

Pennies From Heaven (1958-2024)

01. Nick Finzer - Pennies From Heaven (2024) 
02. Nick Finzer - CC (2024) 
03. Tyree Glenn - Love For Sale (1960) 
04. Tyree Glenn - Like Someone In Love (1960) 
05. Maynard Ferguson - It's Only A Paper Moon (1958) 
06. Joe Temperley - John's Bunch (1978) 
07. Joe Temperley - Stella By Starlight (1978) 
08. Bennie Green - Bennie Plays The Blues (1960) 
09. Melba Liston - Insomnia (1958) 
10. Melba Liston - Zagred This (1958) 
11. Slide Hampton - On The Street Where You Live (1961) 
12. Wycliffe Gordon - Blue 'n' Boogie (2001) 
13. Wycliffe Gordon - In A Mellow Tone (2001) 
14. Jennifer Wharton - Mama's Alright (2023) 
15. Lis Wessberg - Twain Walking (2024) 
16. Lis Wessberg - Birds (2024) 
17. Isla Eckinger - Detroit Blues (1982) 
18. Samuel Blaser - Root Beer Rag (2023) 
19. Robert Edwards - Baubles, Bangles, And Beads (2023) 
20. Robert Edwards - My Way (2023) 

 Blues, R&B, Soul & Gospel Records Vol 71 (1948-2022)

01. Bobby Parker - Steal Your Heart Away (1961) 
02. Chubby Jackson's Big Band - New York To Chicago (1958) 
03. James Wheeler - Good Morning Little Schoolgirl (1997) 
04. South Side Slim - Kitchen Floor (2001) 
05. South Side Slim - I Wish I Was Blind (2001) 
06. South Side Slim - Dollar Bill (2009) 
07. Randy California & Spirit - Pick A Bale Of Cotton (1995) 
08. Lee Moses - Never In My Life (1968) 
09. Lee Moses - If Loving You Is A Crime I'll Always Be Guilty (1968) 
10. Don Covay - The Popeye Waddle (1963) 
11. Shelton Dunaway & The Cup Cakes - Mary Lou Doin' The Pop Eye (1962) 
12. Shelton Dunaway & The Cup Cakes - Just One Kiss (1962) 
13. Earl Bostic - Hot Sauce Boss (1948) 
14. Earl Bostic - Bostic's Boogie Blues (1948) 
15. The Texas Horns - Alligator Gumbo (2022) 
16. The Texas Horns - J.B.s Rock (2022) 
17. B.B. King - Think It Over (1967) 
18. Joe Carroll & Howard McGhee Quartet - Gambler's Blues (1970) 
19. The Original Gospel Harmonettes - One Morning Soon (1952) 
20. Big Boy Myles - She's So Fine (1962) 
21. Bobby Peterson - Irresistible You (1960)