Tuesday, February 20, 2024

 Assorted Hillbilly & Country Recordings Vol 101

Country Gospel Vol 2 - Are You Washed In The Blood

01. Carl Story - Are You Washed In The Blood 
02. Carl Story - Reunion in Heaven 
03. Kasey Chambers & The Fireside Disciples - Goliath Is Dead 
04. The Rocker Family - Jesus Is Coming Soon
05. The Cox Family - When God Dips His Pen Of Love In My Heart 
06. The Louvin Brothers - The Angels Rejoiced Last Night 
07. The Stanley Brothers - When Jesus Beckons Me Home 
08. The Stanley Brothers - This Wicked Path Of Sin 
09. Tuba Skinny - Peace In The Valley 
10. Tammy Wynette - I'd Like To See Jesus On The Midnight Special 
11. The Bluegrass Album Band - The Model Church 
12. Zeb Turner - Why Don't You Haul Off And Get Religion 
13. The Virginia Dandies - God's Getting Worried 
14. Wilma Lee & Stoney Cooper - Matthew 24 
15. Brenda Lee - This Little Light Of Mine 
16. Dolly Parton - Letter To Heaven 
17. Loretta Lynn - How Great Thou Art 
18. Patsy Cline & Willie Nelson - Just A Closer Walk With Thee 
19. Marty Stuart - Get Down On Your Knees And Pray 
20. Red Smiley & The Bluegrass Cut-Ups - The Old Gospel Ship 

29 comments:

  1. Volume 101 may be my FAVORITE Volume! I LUV Southern Gospel and even though I already have most of these songs in my computer, can't wait to hear 'em in an organized collection. Thank you Bob for a GREAT POST today!

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  2. Volume 92 (I didn't have a label calling it Gospel Volume 1), but I'm assuming Vol. 92 was the FIRST Country Gospel. Now I can play 'em back-to-back.

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    1. Hi moze, glad to hear you enjoy this series. Correct, Vol 92 was the first Country Gospel but it wasn't called Vol 1. At the time I just made up one Country Gospel compilation but later on decided to make a second, which we have posted today. I haven't yet made a Vol 3 but certainly will do so at some later date. There are a couple of odd tracks in Vol 2, both Kasey Chambers & Tuba Skinny are a departure from the usual artists I feature but they fit in well I believe and add some nice variety.

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  3. Thank you for Vol.101 Bob, a great series indeed.

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  4. ๐™„ ๐™ฌ๐™–๐™จ ๐™ฌ๐™–๐™ž๐™ฉ๐™ž๐™ฃ๐™œ ๐™›๐™ค๐™ง ๐™ฉ๐™๐™š "๐™ข๐™–๐™œ๐™ž๐™˜" ๐™ฌ๐™ค๐™ง๐™™๐™จ, ๐™‚๐™ค๐™จ๐™ฅ๐™š๐™ก ๐™–๐™ฃ๐™™/๐™ค๐™ง ๐™…๐™–๐™ฏ๐™ฏ ๐™‚๐™ช๐™ž๐™ฉ๐™–๐™ง๐™จ, ๐™ฉ๐™ค "๐™ง๐™š๐™–๐™ฅ๐™ฅ๐™š๐™–๐™ง". ๐‘ป๐’‰๐’‚๐’๐’Œ ๐’š๐’๐’– ๐’—๐’†๐’“๐’š "๐™ˆ๐™ž๐™˜๐™" ๐™๐™ค๐™ง ๐˜พ๐™ค๐™ช๐™ฃ๐™ฉ๐™ง๐™ฎ ๐™‚๐™ค๐™จ๐™ฅ๐™š๐™ก. ♪♫ ๐™๐™š๐™œ๐™–๐™ง๐™™๐™จ, ๐˜พ๐™๐™š๐™š๐™ง๐™จ & ๐™๐™š๐™จ๐™ฅ๐™š๐™˜๐™ฉ, ๐™ˆ๐™ž๐™˜๐™๐™š๐™ก. ๐Ÿ––๐Ÿ˜Ž

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  5. Thank you, Bob what a surprise! I love old country, but for Gospel, the blacks (African American people) are, in my opinion, superior. They are the inventors of this music, starting from protestant (and white people) religious psalms.

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    1. Hi Monsieur Jujube, interesting comment. When it comes to blues, R&B, soul I definitely prefer the black artists. With gospel however, I must confess I find much of the black gospel just too raucous for my tastes. With gospel I far prefer listening to the white country & hillbilly artists.

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    2. "Gospel music, spiritual music or evangelical music, in its most restrictive definition is American religious music that emerged from the hundreds of African-American Pentecostal, evangelical Protestant churches in the 19th century and which became very popular during the 1930s. More Generally, religious music composed and sung by Southern Christian singers, regardless of their ethnicity, is also included."
      "Gospel music is a traditional genre of Christian music, and a cornerstone of Christian media. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes. Including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century."
      ๐˜ผ๐™จ ๐™– ๐™˜๐™ค๐™ก๐™ก๐™š๐™˜๐™ฉ๐™ค๐™ง ๐™ค๐™› ๐˜พ๐™ค๐™ฃ๐™ฉ๐™š๐™ข๐™ฅ๐™ค๐™ง๐™–๐™ง๐™ฎ ๐™‚๐™ค๐™จ๐™ฅ๐™š๐™ก (๐™–๐™ฃ๐™™ ๐™–๐™ก๐™จ๐™ค ๐™ค๐™› ๐˜พ๐™ค๐™ช๐™ฃ๐™ฉ๐™ง๐™ฎ, ๐˜ผ๐™›๐™ง๐™ž๐™˜๐™–๐™ฃ ๐™–๐™ฃ๐™™ ๐™ค๐™ฉ๐™๐™š๐™ง ๐™—๐™ง๐™–๐™ฃ๐™˜๐™๐™š๐™จ) ๐™–๐™ฃ๐™™ ๐™ค๐™› ๐™˜๐™ค๐™ช๐™ง๐™จ๐™š, ๐™—๐™š๐™˜๐™–๐™ช๐™จ๐™š ๐™ค๐™› ๐™ข๐™ฎ ๐™›๐™–๐™ž๐™ฉ๐™, ๐™„ ๐™˜๐™ค๐™ช๐™ก๐™™ ๐™ฃ๐™ค๐™ฉ ๐™จ๐™ฉ๐™ค๐™ฅ ๐™™๐™ค๐™ž๐™ฃ๐™œ ๐™ข๐™ฎ ๐™ฅ๐™–๐™ง๐™ฉ ๐™ž๐™ฃ ๐™ฉ๐™๐™š ๐™ข๐™–๐™ฃ๐™ž๐™›๐™š๐™จ๐™ฉ๐™–๐™ฉ๐™ž๐™ค๐™ฃ ๐™ค๐™› ๐™–๐™ฃ๐™™ ๐™˜๐™ค๐™ฃ๐™ฉ๐™ง๐™ž๐™—๐™ช๐™ฉ๐™ž๐™ฃ๐™œ ๐™ฉ๐™ค ๐™ฉ๐™๐™š ๐™†๐™ž๐™ฃ๐™œ๐™™๐™ค๐™ข. ♪♫ ๐™๐™š๐™œ๐™–๐™ง๐™™๐™จ, ๐˜พ๐™๐™š๐™š๐™ง๐™จ & ๐™๐™š๐™จ๐™ฅ๐™š๐™˜๐™ฉ. ๐˜ฝ๐™ค§§ ๐™—๐™ก๐™š๐™จ๐™จ ๐Ÿ™, ๐™ˆ๐™ž๐™˜๐™๐™š๐™ก. ๐Ÿ––๐Ÿ˜Ž

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    3. these examples of "white" or country/hillbilly gospel are indeed excellent, no doubt!
      But some of the great black voices of gospel, like Clarence Fountain, give me the same chills as that of James Carr.
      The frenzy and hypnotic rhythm of certain gospel groups have no real equal in country music, to my knowledge!
      Many thanks for these comments, Michel and Bob!

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  6. Replies
    1. ๐™ˆ๐™ค๐™ฃ ๐™ฉ๐™ง๐™š̀๐™จ ๐™˜๐™๐™š๐™ง ๐™ก๐™ฎ๐™ค๐™ฃ๐™ฃ๐™–๐™ž๐™จ ๐™ฆ๐™ช๐™ž ๐™ฃ๐™š ๐™ง๐™š́๐™ฅ๐™ค๐™ฃ๐™™ ๐™ฅ๐™–๐™จ ๐™–̀ ๐™ข๐™š๐™จ "๐™–๐™ฅ๐™ฅ๐™š๐™ก๐™จ":
      https://en.wikipedia.org/wiki/Mimi_Fari%C3%B1a
      ♪♫ ๐™Ž๐™–๐™ก๐™ช๐™ฉ๐™–๐™ฉ๐™ž๐™ค๐™ฃ๐™จ, ๐™ˆ๐™ž๐™˜๐™๐™š๐™ก. ๐Ÿ––๐Ÿ˜Ž
      ////
      My dearest Lyonnais who does not answer my “calls”. ♪♫ Regards,, Michel. ๐Ÿ––๐Ÿ˜Ž

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    2. Younger sister of Joan Baez. Mimi also sang and played guitar, was married to Richard Farina. Mimi passed away a few years back.

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    3. Merci Mich58 pour ce lien de mimi farina! Joan Baez vu 2 fois en festival, la derniรจre ร  Cognac ce n'est pas ma tasse de thรฉ, malgrรฉ des textes engagรฉs (et datรฉs) et un talent reconnu

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    4. ๐™ˆ๐™š๐™ง๐™˜๐™ž ๐™–̀ ๐™ฉ๐™ค๐™ž ๐™ฅ๐™ค๐™ช๐™ง ๐™ฉ๐™– "๐™ข๐™–๐™ฃ๐™ž๐™›๐™š๐™จ๐™ฉ๐™–๐™ฉ๐™ž๐™ค๐™ฃ". ๐™…'๐™–๐™ž ๐™š๐™จ๐™จ๐™–๐™ฎ๐™š́ ๐™ข๐™–๐™ž๐™ฃ๐™ฉ๐™š๐™จ ๐™›๐™ค๐™ž๐™จ ๐™™'๐™š๐™ฃ๐™ฉ๐™–๐™—๐™ก๐™š๐™ง ๐™ช๐™ฃ๐™š ๐™˜๐™ค๐™ฃ๐™ซ๐™š๐™ง๐™จ๐™–๐™ฉ๐™ž๐™ค๐™ฃ ๐™–๐™ซ๐™š๐™˜ ๐™ฉ๐™ค๐™ž, ๐™ก๐™ฎ๐™ค๐™ฃ๐™ฃ๐™–๐™ž๐™จ ๐™™๐™š ๐™ฃ๐™–๐™ž๐™จ๐™จ๐™–๐™ฃ๐™˜๐™š (๐™ฆ๐™ช๐™–๐™ง๐™ฉ๐™ž๐™š๐™ง ๐™Ž๐™–๐™ž๐™ฃ๐™ฉ-๐™…๐™š๐™–๐™ฃ) ๐™ข๐™–๐™ž๐™จ "๐™š๐™ญ๐™ž๐™ก๐™š́" ๐™š๐™ฃ ๐™€๐™จ๐™ฅ๐™–๐™œ๐™ฃ๐™š, ๐™ฉ๐™ค๐™ฃ ๐™ฅ๐™ง๐™ค๐™›๐™ž๐™ก ๐™™๐™š "๐™๐™๐™ค̂๐™ฃ๐™–๐™ก๐™ฅ๐™ž๐™ฃ" ๐™ข๐™š ๐™ฅ๐™ค๐™ช๐™จ๐™จ๐™–๐™ž๐™ฉ ๐™–̀ ๐™ก๐™š ๐™›๐™–๐™ž๐™ง๐™š ๐™š๐™ฉ ๐™จ๐™ช๐™ง๐™ฉ๐™ค๐™ช๐™ฉ ๐™ฅ๐™ค๐™ช๐™ง ๐™ฃ๐™š ๐™ฅ๐™–๐™จ ๐™ฅ๐™š๐™ง๐™™๐™ง๐™š ๐™ข๐™ค๐™ฃ ๐™›๐™ง๐™–๐™ฃ๐™˜̧๐™–๐™ž๐™จ ๐™š́๐™˜๐™ง๐™ž๐™ฉ (๐™ก'๐™ค๐™ง๐™–๐™ก, ๐™˜'๐™š๐™จ๐™ฉ ๐™˜๐™ค๐™ข๐™ข๐™š ๐™ก๐™š ๐™ซ๐™š́๐™ก๐™ค, ๐™ค๐™ฃ ๐™ฃ๐™š ๐™ก๐™š ๐™ฅ๐™š๐™ง๐™™ ๐™Ÿ๐™–๐™ข๐™–๐™ž๐™จ).
      ๐˜พ๐™ง๐™ค๐™ž๐™จ๐™š́ ๐™™๐™š ๐™ฃ๐™ค๐™ข๐™—๐™ง๐™š๐™ช๐™จ๐™š๐™จ ๐™›๐™ค๐™ž๐™จ ๐™™๐™–๐™ฃ๐™จ ๐™˜๐™š๐™ฉ๐™ฉ๐™š ๐™ˆ๐™–๐™ž๐™จ๐™ค๐™ฃ ๐™ˆ๐™ช๐™จ๐™ž๐™˜๐™–๐™ก๐™š, ๐™˜'๐™š๐™จ๐™ฉ ๐™ก๐™– ๐™ฅ๐™–๐™ง๐™ฉ๐™ž๐™š ๐™‚๐™ค๐™จ๐™ฅ๐™š๐™ก ๐™ฆ๐™ช๐™ž ๐™ข'๐™ž๐™ฃ๐™ฉ๐™š́๐™ง๐™š๐™จ๐™จ๐™š ๐™–๐™ซ๐™š๐™˜ ๐™ฉ๐™ค๐™ช๐™ฉ ๐™˜๐™š ๐™ฆ๐™ช๐™ž ๐™˜๐™ค๐™ฃ๐™˜๐™š๐™ง๐™ฃ๐™š ๐™ก๐™– ๐™œ๐™ช๐™ž๐™ฉ๐™–๐™ง๐™š ๐™…๐™–๐™ฏ๐™ฏ.
      ๐˜ผ๐™ซ๐™š๐™˜ ๐™ก๐™š ๐™๐™š๐™œ๐™œ๐™–๐™š ๐™š๐™ฉ ๐™˜๐™š ๐™ฆ๐™ช๐™š ๐™Ÿ'๐™–๐™ฅ๐™ฅ๐™š๐™ก๐™ก๐™š "๐™Ž๐™ค๐™ช๐™ก, ๐™ƒ๐™š๐™–๐™ง๐™ฉ & ๐˜ฝ๐™ค๐™™๐™ฎ ๐™ˆ๐™ช๐™จ๐™ž๐™˜" ๐™ฆ๐™ช๐™ž ๐™š๐™ฃ๐™œ๐™ก๐™ค๐™—๐™š ๐™ฅ๐™ก๐™ช๐™จ๐™ž๐™š๐™ช๐™ง๐™จ ๐™œ๐™š๐™ฃ๐™ง๐™š๐™จ ๐™ข๐™ช๐™จ๐™ž๐™˜๐™–๐™ช๐™ญ, ๐™˜๐™š ๐™จ๐™ค๐™ฃ๐™ฉ ๐™ข๐™š๐™จ ๐Ÿฐ "๐™จ๐™ฅ๐™š́๐™˜๐™ž๐™–๐™ก๐™ž๐™ฉ๐™š́๐™จ".
      ๐˜ผ̀ ๐™ก๐™– ๐™ฅ๐™ง๐™ค๐™˜๐™๐™–๐™ž๐™ฃ๐™š… ♪♫ ๐™Ž๐™–๐™ก๐™ช๐™ฉ๐™–๐™ฉ๐™ž๐™ค๐™ฃ๐™จ, ๐™ˆ๐™ž๐™˜๐™๐™š๐™ก. ๐Ÿ––๐Ÿ˜Ž
      /////
      Thank you for your “manifestation”. I have tried many times to start a conversation with you, born in Lyon (Saint-Jean district) but "exiled" in Spain, your profile as a "Rhรดnalpin" pushed me to do so and especially so as not to lose my written French (oral is like a bicycle, you never lose it).
      Crossed many times in this Musical House, it is the Gospel part which interests me with everything concerning the Jazz guitar.
      With Reggae and what I call "Soul, Heart & Body Music" which encompasses several musical genres, these are my 4 "specialties".
      See you next time… ♪♫ Regards,, Michel. ๐Ÿ––๐Ÿ˜Ž

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  7. Mucho Gracias!! Bob. Mike. ๐Ÿ‘

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    1. "๐™‚๐™ง๐™–๐™˜๐™ž๐™–๐™จ" ๐™ž๐™จ ๐™›๐™š๐™ข๐™ž๐™ฃ๐™ž๐™ฃ๐™š ๐™ฅ๐™ก๐™ช๐™ง๐™–๐™ก ๐™๐™š๐™ฅ๐™ง๐™ค., ๐™จ๐™ค ๐™ž๐™ฉ ๐™ž๐™จ "๐™ˆ๐™ช๐™˜๐™๐™–๐™จ ๐™‚๐™ง๐™–๐™˜๐™ž๐™–๐™จ" ๐Ÿ˜œ. ๐˜ฝ๐™ช๐™ฉ ๐™จ๐™ž๐™ฃ๐™˜๐™š ๐™ฌ๐™๐™–๐™ฉ ๐™˜๐™ค๐™ช๐™ฃ๐™ฉ๐™จ ๐™ž๐™จ ๐™ฉ๐™๐™š ๐™ž๐™ฃ๐™ฉ๐™š๐™ฃ๐™ฉ๐™ž๐™ค๐™ฃ, ♪♫ ๐™๐™š๐™œ๐™–๐™ง๐™™๐™จ, ๐˜พ๐™๐™š๐™š๐™ง๐™จ & ๐™๐™š๐™จ๐™ฅ๐™š๐™˜๐™ฉ, ๐™ˆ๐™ž๐™˜๐™๐™š๐™ก. ๐Ÿ––๐Ÿ˜Ž

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    2. Thank you for the correction, guess i should check before trying to write a new language but you are correct its the intention that counts. Mike. ✌️

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    3. ๐™™( ̄◇ ̄)๐™—

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  8. Thanks Bob, A great issue for Sunday Morning

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  9. Et ร  propos, Michel je viens de faire le rapprochement entre michel 58 et le grand Michel architecte et maintenant espagnol! Et toujours mon ami! Bises ร  tous les deux

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    1. ๐˜ฟ๐™š́๐™จ๐™ค๐™ก๐™š́. ๐™…'๐™–๐™ž ๐™š́๐™ฉ๐™š́ ๐™œ๐™ช๐™ž๐™ฉ๐™–๐™ง๐™ž๐™จ๐™ฉ๐™š ๐™™๐™š ๐™ก'๐™ช๐™ฃ ๐™™๐™š๐™จ ๐™ฅ๐™ง๐™š๐™ข๐™ž๐™š๐™ง๐™จ ๐™œ๐™ง๐™ค๐™ช๐™ฅ๐™š๐™จ ๐™ก๐™ฎ๐™ค๐™ฃ๐™ฃ๐™–๐™ž๐™จ ๐™™๐™š ๐™๐™š๐™œ๐™œ๐™–๐™š (๐™‡๐™ž๐™ค๐™ฃ ๐˜ฟ๐™ง๐™š๐™–๐™™) ๐™š๐™ฉ ๐™š๐™ข๐™ฅ๐™ก๐™ค๐™ฎ๐™š́ ๐™™๐™š ๐™—๐™–๐™ฃ๐™ฆ๐™ช๐™š, ๐™ข๐™–๐™ž๐™จ ๐™ฅ๐™–๐™จ ๐™š๐™ฃ๐™˜๐™ค๐™ง๐™š ๐™–๐™ง๐™˜๐™๐™ž๐™ฉ๐™š๐™˜๐™ฉ๐™š.
      ๐™ˆ๐™–๐™ž๐™จ ๐™š๐™ฃ ๐™š๐™›๐™›๐™š๐™ฉ ๐™ˆ๐™ž๐™˜๐™ ๐™ซ๐™ž๐™š๐™ฃ๐™ฉ ๐™™๐™š ๐™ˆ๐™ž๐™˜๐™๐™š๐™ก ๐™š๐™ฉ ๐Ÿฑ๐Ÿด ๐™™๐™š ๐™ข๐™ค๐™ฃ ๐™–๐™ฃ๐™ฃ๐™š́๐™š ๐™™๐™š ๐™ฃ๐™–๐™ž๐™จ๐™จ๐™–๐™ฃ๐™˜๐™š.
      ๐™Ž๐™ž ๐™ฉ๐™ช ๐™˜๐™ก๐™ž๐™ฆ๐™ช๐™š๐™จ ๐™จ๐™ช๐™ง ๐™ก๐™– ๐™˜๐™–๐™จ๐™š "๐™ฃ๐™ค๐™ฉ๐™ž๐™›๐™ฎ ๐™ข๐™š" ๐™ฉ๐™ค๐™ช๐™ฉ ๐™˜๐™ค๐™ช๐™ง๐™ง๐™ž๐™š๐™ง ๐™ง๐™š๐™ก๐™–๐™ฉ๐™ž๐™› ๐™–๐™ช ๐™ฅ๐™ค๐™จ๐™ฉ ๐™š๐™ฃ ๐™ฆ๐™ช๐™š๐™จ๐™ฉ๐™ž๐™ค๐™ฃ, ๐™ฉ๐™š ๐™จ๐™š๐™ง๐™– ๐™ฃ๐™ค๐™ฉ๐™ž๐™›๐™ž๐™š́ ๐™–̀ ๐™ฉ๐™ค๐™ฃ ๐™ข๐™–๐™ž๐™ก.
      ๐™€๐™ฉ ๐™จ๐™ž ๐™ฉ๐™ช ๐™˜๐™ก๐™ž๐™ฆ๐™ช๐™š๐™จ ๐™จ๐™ช๐™ง ๐™ˆ๐™ž๐™˜๐™๐Ÿฑ๐Ÿด, ๐™ฉ๐™ช ๐™–๐™ช๐™ง๐™–๐™จ ๐™–๐™˜๐™˜๐™š̀๐™จ ๐™–̀ ๐™ข๐™ค๐™ฃ ๐™ฅ๐™ง๐™ค๐™›๐™ž๐™ก, ๐™™๐™š́๐™˜๐™๐™–๐™ง๐™œ๐™š๐™จ ๐™ซ๐™–๐™ง๐™ž๐™š́๐™š๐™จ ๐™™๐™š ๐™ข๐™š๐™จ ๐™ฅ๐™ง๐™š́๐™›๐™š́๐™ง๐™š́๐™จ ๐™š๐™ฉ ๐™ก๐™š๐™จ ๐™ก๐™ž๐™š๐™ฃ๐™จ ๐™–๐™ช๐™ญ ๐™—๐™ก๐™ค๐™œ๐™จ ๐™–๐™ซ๐™š๐™˜ ๐™ก๐™š๐™จ๐™ฆ๐™ช๐™š๐™ก๐™จ ๐™Ÿ๐™š ๐™˜๐™ค๐™ก๐™ก๐™–๐™—๐™ค๐™ง๐™š.
      ๐™ˆ๐™–๐™ž๐™จ ๐™ฅ๐™š๐™ช๐™ฉ-๐™š̂๐™ฉ๐™ง๐™š ๐™ฆ๐™ช๐™š ๐™ฉ๐™ช ๐™˜๐™ค๐™ฃ๐™ฃ๐™–๐™ž๐™จ ๐™˜๐™š๐™จ "๐™ฉ๐™š๐™˜๐™๐™ฃ๐™ž๐™ฆ๐™ช๐™š๐™จ", ๐™ข๐™–๐™ž๐™จ ๐™ก๐™– ๐™ฃ๐™ค๐™ฃ-๐™ง๐™š́๐™ฅ๐™ค๐™ฃ๐™จ๐™š ๐™–̀ ๐™ข๐™š๐™จ ๐™™๐™ž๐™ซ๐™š๐™ง๐™จ ๐™˜๐™ค๐™ช๐™ง๐™ง๐™ž๐™š๐™ง๐™จ ๐™–๐™ฃ๐™ฉ๐™š́๐™ง๐™ž๐™š๐™ช๐™ง๐™จ, ๐™ข๐™š ๐™›๐™ค๐™ฃ๐™ฉ ๐™™๐™ค๐™ช๐™ฉ๐™š๐™ง.
      ๐™…๐™š๐™ฉ๐™ฉ๐™š ๐™ช๐™ฃ ๐™˜๐™ค๐™ช๐™ฅ ๐™™'ล“๐™ž๐™ก ๐™™๐™š๐™ข๐™–๐™ž๐™ฃ ๐™–๐™ช "๐™จ๐™ค๐™ช๐™จ-๐™จ๐™ค๐™ก" (๐˜ฝ๐™ค๐™—'๐™จ ๐˜ฝ๐™–๐™จ๐™š๐™ข๐™š๐™ฃ๐™ฉ) ๐™ค๐™ช ๐™Ÿ๐™š ๐™ฅ๐™–๐™ง๐™ฉ๐™–๐™œ๐™š ๐™ช๐™ฃ ๐™ฅ๐™š๐™ช ๐™™๐™š ๐™‚๐™ค๐™จ๐™ฅ๐™š๐™ก. ๐™…'๐™–๐™ช๐™ง๐™–๐™ž ๐™ช๐™ฃ ๐™˜๐™–๐™™๐™š๐™–๐™ช ๐™ฅ๐™ค๐™ช๐™ง ๐™ฉ๐™ค๐™ž (๐™š๐™ฉ ๐™ฅ๐™ค๐™ช๐™ง ๐™ก๐™š๐™จ ๐™–๐™ช๐™ฉ๐™ง๐™š๐™จ ๐™–๐™ช๐™จ๐™จ๐™ž…)
      ๐™…'๐™–๐™˜๐™˜๐™š๐™ฅ๐™ฉ๐™š ๐™ก๐™š๐™จ ๐™—๐™ž๐™จ๐™š๐™จ, ๐™ข๐™–๐™ž๐™จ ๐™˜'๐™š๐™จ๐™ฉ ๐™ฅ๐™š๐™ช๐™ฉ-๐™š̂๐™ฉ๐™ง๐™š ๐™ช๐™ฃ ๐™ฅ๐™š๐™ช ๐™ฉ๐™ค̂๐™ฉ… ๐Ÿ˜‰ ♪♫ ๐™Ž๐™–๐™ก๐™ช๐™ฉ๐™–๐™ฉ๐™ž๐™ค๐™ฃ๐™จ, ๐™ˆ๐™ž๐™˜๐™๐™š๐™ก. ๐Ÿ––๐Ÿ˜Ž
      //////////
      Sorry. I was a guitarist in one of the first Reggae groups in Lyon (Lion Dread) and a bank employee, but not yet an architect.
      But in fact Mich comes from Michel and 58 from my year of birth.
      If you click on the "notify me" box, any mail relating to the post in question will be notified to your email.
      And if you click on Mich58, you will have access to my profile, various downloads of my favorites and links to the blogs with which I collaborate.
      But perhaps you know these "techniques", but the non-response to my various previous letters makes me doubt.
      Take a look tomorrow at the "basement" (Bob's Basement) where I share some Gospel. I will have a gift for you (and for others too…)
      I accept the kisses, but it might be a little early... ๐Ÿ˜‰
      ♪♫ Regards,, Michel. ๐Ÿ––๐Ÿ˜Ž

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    2. J'espรจre de tout cล“ur, n'avoir pas รฉtรฉ incorrect avec toi. Si je traduis mon รฉcrit franรงais, c'est parce que le type d'รฉcriture employรฉ, ne permet pas la traduction avec un traducteur, et รงa me parait un manque de respect envers les autres "voisins", de me communiquer en franรงais, sans qu'il puisse รชtre "entendu".
      Et si les prรฉcisions sont de trop, excuses moi aussi.
      J'ai partagรฉ deux archives de Clarence Fountain dans le "sous-Sol" (https://countrybluessoul.blogspot.com/p/basement-any-requests.html) ร  ton attention, que j'espรจre te plairont.
      ♪♫ Salutations, Michel. ๐Ÿ––๐Ÿ˜Ž

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  10. Thanks so much, Bob! ( ´ ▽ ` )๏พ‰

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