Rockabilly & Early Rock & Roll Recordings Vol 45 - Girls' Town
Welcome to my compilations of great Blues, R&B, Soul, Gospel, Jazz, Rockabilly, Early Rock & Roll, Hillbilly & Country music.
Monday, July 31, 2023
Assorted Recordings - Blues, R&B, Soul & Gospel Vol 13 (1952-2019)
Friday, July 28, 2023
The Daily Chat
A chatbox where we can post comments and have discussions on artists & songs. However, if you just want to say thank you for a particular post then please continue using the usual comment box located below each post.
When John Mayall toured Australia in November 1975 he brought with him one of his best ever lineups. Guitarist Hi Tide Harris had been establishing a reputation for himself as one of the hottest young blues guitarists on the US West Coast. Ex Canned Heat bassist Larry Taylor was a legend. Completing the rhythm section with Larry was ex Ike & Tina Turner Revue drummer Soko Richardson, and Red Holloway on sax was a seasoned jazz player who had decades of session work to his credit.
At the time I was a writer/researcher for the Australian Blues Society's "Crazy Music" magazine, so accompanied by my younger brother Duncan, and a good friend Terry "Moonface" Bailey we headed off to the morning press reception at Perth Airport. The press were only interested in interviewing Mayall, however, it was primarily Hi Tide and Larry that I was interested in so we quickly singled them out, introduced ourselves and got chatting. Following the press reception we continued on to the band's hotel where we spent some time discussing blues records and different musicians. Larry in particular was very knowledgeable about blues and we had a lengthy discussion about rare LPs and classic blues recordings.
As it was now into the afternoon Hi Tide told us he'd like to go out and see some of the sights of Perth. Someone suggested a drive out to the coast and Hi Tide said that would be fine, so off we went. We asked Larry if he wanted to come as well but he passed, saying he felt like resting up before that evening's performance. I gave Larry a bunch of blues magazines I'd brought along, and he said that was fine, he'd spend the afternoon relaxing and looking through the blues mags.
On the way to the coast we pulled into a liquor store and got a bunch of cold beers and soon hit the beach, where we sat on the sand dunes looking out over the Indian Ocean, drinking beers and listening to Hi Tide's stories about all the blues greats he'd met and worked with.
Terry "Moonface" had a younger sister named Maureen, who was a huge John Mayall fan and she had been looking forward to going to that evening's performance at Perth Concert Hall, but unfortunately the poor girl had taken ill a couple of day before and would have to miss out on attending the concert. So when it was time to return Hi Tide to his hotel we took a brief detour and pulled by Terry's house and took Hi Tide inside to see Maureen. I think it must have been one of the high points of her life when we knocked on her bedroom door and told her we had John Mayall's lead guitarist with us and he'd come to say hello and wish her a speedy recovery.
Later that evening backstage at the Perth Concert Hall we caught up with Hi Tide and Larry again, and had some laughs while getting stuck into the buffet spread and assorted booze that had been put on for the band.
The concert was great. Hi Tide was an exciting blues player, and to hear a rhythm section of the calibre of Larry Taylor and Soko Richardson was indeed a joy. Following the concert we spent a bit more time with the guys, then called it quits and headed home.
I was saddened to hear of Larry Taylor's passing in August 2019. As far as I know Hi Tide Harris is still with us, last I heard he was living in Japan with his Japanese wife, giving guitar lessons and periodically making records.
Albums That Deserve Another Listen
Hi Tide Harris - Celebrating With Hi Tide Harris (1978)
Assorted Hillbilly & Country Recordings Vol 82
Are You Waiting Just For Me
Assorted Recordings - Blues, R&B, Soul & Gospel Vol 12 (1954-2021)
Wednesday, July 26, 2023
Assorted Recordings - Blues, R&B, Soul & Gospel Vol 11 (1954-2000)
Assorted Best Of Jazz Vol 43 - Straight Street
Monday, July 24, 2023
Albums That Deserve Another Listen
June Carter - Hillbilly Favorites (British Archive Of Country Music CD D262)
The Best Of Country, Pre-War & Acoustic Blues Vol 30
The Ladies Sing The Blues
Assorted Recordings - Blues, R&B, Soul & Gospel Vol 10 (1949-1984)
Saturday, July 22, 2023
Soul Party Vol 50 - Until You Come Back To Me
Assorted Recordings - Blues, R&B, Soul & Gospel Vol 09 (1936-1993)
Thursday, July 20, 2023
Rockabilly & Early Rock & Roll Recordings Vol 44 - I Need A Man
Assorted Recordings - Blues, R&B, Soul & Gospel Vol 08 (1950-2021)
Tuesday, July 18, 2023
Assorted Hillbilly & Country Recordings Vol 81
Sad Singin' And Slow Ridin'
Assorted Recordings - Blues, R&B, Soul & Gospel Vol 07 (1952-2011)
Sunday, July 16, 2023
Assorted Best Of Jazz Vol 42 - While The City Sleeps
Assorted Recordings - Blues, R&B, Soul & Gospel Vol 06 (1952-2014)
Friday, July 14, 2023
The Best Of Country, Pre-War & Acoustic Blues Vol 29
Mississippi Special Vol 1
Assorted Recordings - Blues, R&B, Soul & Gospel Vol 05 (1960-2021)
Wednesday, July 12, 2023
The Daily Chat
A chatbox where we can post comments and have discussions on artists & songs. However, if you just want to say thank you for a particular post then please continue using the usual comment box located below each post.
As I mentioned last week I'll be making more 'specific themes' compilations. A fine example is today's "Soul Party Vol 49 - The Queens Of Tears", with 20 tracks about heartache and heartbreak by the greatest female soul singers, such as Gladys Knight, Candi Staton, Betty Harris, Aretha Franklin, Kim Weston, Esther Phillips, and several others.
This style of singing is very popular in Thailand. There's an entire sub-genre of Thai pop music known as "torraman", which translates to emotional torture, and it's interesting to go to Thai coffeeshops and nightclubs and listen to these female singers decked out in their ballgowns and glittery outfits wailing away about their unbearable aching hearts.
And today's "Assorted Recordings - Blues, R&B, Soul & Gospel Vol 04" gives you 20 outstanding recordings ranging from Smiley Lewis' Bee's Boogie, recorded in New Orleans for Imperial in May 1951, with Dave Bartholomew and Tuts Washington lending a hand, through to Professor Longhair's 1979 'Her Mind Is Gone'. Other fine blues/R&B artists featured today include Johnnie Taylor, Andre Williams, Billy Boy Arnold, Mercy Dee Walton, Tiny Grimes, Howard Tate, and Sam Moore.
Soul Party Vol 49 - The Queens Of Tears
Assorted Recordings - Blues, R&B, Soul & Gospel Vol 04 (1951-1979)
Monday, July 10, 2023
Rockabilly & Early Rock & Roll Recordings Vol 43 - In The Mood
Assorted Recordings - Blues, R&B, Soul & Gospel Vol 03 (1950-2021)
Friday, July 7, 2023
Albums That Deserve Another Listen
Wilson Pickett - Hey Jude (Atlantic SD 8215)
02. Hey Jude
03. Back In Your Arms
04. Toe Hold
05. Night Owl
06. My Own Style Of Loving
07. A Man And A Half
08. Sit Down And Talk This Over
09. Search Your Heart
10. Born To Be Wild
11. People Make The World
Wilson Pickett – vocals
Duane Allman, Jimmy Johnson, Albert Lowe – guitar
David Hood, Jerry Jemmott – bass guitar
Barry Beckett – keyboards, piano
Marvell Thomas – organ
Roger Hawkins – drums
Gene "Bowlegs" Miller, Jack Peck – trumpet
Joe Arnold, Aaron Varnell – tenor saxophone
James Mitchell – baritone saxophone
"Hey Jude" is the ninth studio album by soul singer Wilson Pickett, recorded at FAME Studios in Muscle Shoals, Alabama and released in 1969. The title track, a cover of The Beatles song of the same name, was a success, peaking at #13 on the Billboard R&B singles chart and #23 on the top 200. Also released as a single was a cover of Steppenwolf's "Born to Be Wild", which was less successful.
The album is particularly noteworthy for the early appearance of guitarist Duane Allman, later founder of The Allman Brothers Band, who made some of his first recordings as a sideman on the album. His guitar work on the title track is credited as what first drew Eric Clapton to him, who two years later invited Allman to join him as part of Derek and the Dominos. Allman's performance on the album also compelled Atlantic Records executive Jerry Wexler to buy out his recording contract and use him in further Atlantic recording sessions, beginning his prolific career as a session musician. Pickett is also backed by members of the Muscle Shoals Rhythm Section on the album. Rhythm Section member Jimmy Johnson later credited Allman's performance on this album as the beginning of Southern Rock.
According to Jimmy Johnson, in the 1960's studio guitarist and sound engineer for Rick Hall's FAME Studio in Muscle Shoals, AL. and in 1969 co-founder of the Muscle Shoals Rhythm Section and Muscle Shoals Sound Studio, Duane Allman plays on:
track 01: Duane plays lead guitar
track 02: Duane plays lead guitar
track 04: Duane plays lead guitar
track 06: Duane plays lead guitar
track 10: Duane plays lead guitar
According to Stuart Winkles' article 'Duane Allman - Skydog's Sessions '68 -'71' (published in 'Goldmine' magazine, vol. 12 no. 8, issue 149, April 11, 1986) Duane plays on tracks 2, 4, 6, 7 & 10, but in the liner notes of the CD 'A Man And A Half - The Best Of Wilson Pickett' is mentioned that the song 'A Man And A Half' was recorded on September 19, 1968 and the guitars were played by Bobby Womack and Jimmy Johnson.
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